Secrets from the Masters:
Painting Flesh Tones, Portraits, Figures, Dancers, Costumes

Recommended Supply List See additional supplies for outdoor painting at bottom of page Information regarding traveling with paints and supplies is at the bottom of this page.

 
Brushes
I use the least expensive Chinese boar bristle "flats". Use width as a guide since the brush numbers vary by brand. I've been buying brushes at MisterArt.com.
Large Flats: 1" wide (usually #12): 4
Medium Flats: ½" wide (usually #6): 12-18
Small Flats or Filberts (#1-depending on the brand): 4-6
 
Paints
Ivory Black Titanium White Burnt Umber
Raw Umber Indian Red Burnt Sienna
Raw Sienna Yellow Ochre Cadmium Red Medium
Cadmium Yellow Medium Viridian Ultramarine Blue
One Cool Red: i.e., Cad. Red Purple, Cad. Red Dark or Perinone Red

Optional:

Cerulean or Cobalt Blue Pthalo or Prussian Blue Sap or Windsor Green
Bring your other paints in case they are needed for clothing and background colors.
 
Painting Medium
See information at the bottom of the supply list regarding traveling by air and packing supplies.
NO ODORLESS OR REGULAR TURPENTINE DURING INDOOR WORKSHOPS. It will be easier to capture the nuances of flesh tones and eliminate hazardous fumes.
Please only use odorless turpentine at the end of the workshop to clean brushes. Turpentine will not be necessary during the workshop.
You can wrap your wet brushes in plastic wrap (group your darks and lights together) to avoid drying. If you have access to a refrigerator, storing your brushes and palette there will keep them wet even longer.
Odorless turpentine is provided at Craig Srebnik Fine Art--at END of the workshop for cleaning only--but not at other schools unless indicated. You will need to bring a small container with a lid.
Safflower Oil (Utrecht's is inexpensive) and a small container with a lid. Safflower is more clear and darkens less than linseed oil; or linseed oil, preferably alkali refined
I keep safflower oil in a small bottle with an eye-dropper so it is easy to add to paints.
Kerosene, odorless turpentine or oil can be used to clean your brushes. Turpentine or other solvents (not kerosene) must be washed out of brushes with soap and warm water. Safflower oil can also be used to clean your brushes.I use kerosene to clean my brushes.
Oil paint can be cleaned off of hands and brushes with baby oil.
 
Palette Knife
Metal, round-tipped like a butter knife, with the "Z" shaped bends for mixing on your palette and painting
 
Palettes
Disposable 12"x16" palette pads: 1-2
I use two palettes while painting to allow enough room to mix flesh tones and grays
 
Canvases
Stretched canvases, canvas panels or unstretched canvas
12" x 16" (minimum size) - 18" x 24" (maximum size) canvases
For each three-day workshop: 2-3
For each five-day workshop: 3
 
Easels & Tables
Table easels and tables are provided at my Boston workshops.
Please check with other schools to see if easels and tables are provided.
 
Other
Students may bring 1-2 paintings for review when time allows.
Lots of Cotton Rags
Cardboard or foam-core to tape class hand-outs to: 9x12-12x16
Roll of Paper Towel
Plastic wrap or bags to wrap wet brushes
Paint Brush Rack (or 1/2" x 1 1/2" x 18" wood strip): to prop up wet brushes on table--Provided at workshops at Craig Srebnik Fine Art
Camera: To photograph demonstrations and painting subject to finish painting and/or for future paintings
Visor or Broad-brimmed Hat: To shade eyes--I use a visor indoors, particularly when painting from models
Masking tape
Soap: For cleaning brushes

Notebook and Pen: For taking notes

Pochade Box, Wet Painting Carrier or Box, Plastic and/or Paper: For transporting your paintings back home

Optional: Ochre Pastel Pencil: To draw figures on canvas

 
Plein Air Painting Supplies: Landscapes, Gardens, Street Scenes & People Outdoors

Include the supplies listed above for Figure Painting, plus the following supplies.

Outdoor/Portable Easel; Chair if you need to sit
Additional Paint Colors:
Cerulean or Cobalt Blue Pthalo or Prussian Blue Sap or Windsor Green
Broad-brimmed Hat or Visor
As Needed: Suntan Lotion, Bug Spray, Gloves, Rain Gear, Umbrella
Optional: Odorless Turpentine
Cord to tie your easel to your pack or other anchor if easel is lightweight and affected by wind.
Optional: Luggage Dolley
 
Traveling by Air and Packing Your Supplies
DO NOT pack any solvents: odorless turpentine, kerosene, etc. I will provide odorless turpentine for my own workshops (not at workshops at other schools). Please bring two small containers with lids for turpentine and oil.
I suggest putting all of your supplies in your CHECKED luggage--Don't put any supplies in your carry-on luggage. I put safflower oil in a small bottle with and eye-dropper, plastic bottle or film canister and label it.
Print out the MSDS* pages below (material information sheets) from Gamblin and take them with you to the airport--one set with your paints in your checked luggage and another in your carry-on bag.
In the Gamblin page below, something is considered flammable if its flashpoint is 140 degrees or below. The MSDS sheets show the flashpoints are 620 degrees, confirming that they are not flammable by airlines standards.
Under "DOT (Department of Transportation) shipping class", the MSDS states, "Not regulated by DOT as a hazardous material".
The MSDS states, "This product contains no hazardous materials under the current OSHA standard."
If asked, tell inspectors that the tubes are vegetable oil based paints (not oil paint), and that your safflower oil is the vegetable oil painting medium. The MSDS confirms this under "Chemical name".
*MSDS: Print out and put in your carry-on luggage. I think that three will be sufficient, though they are available for other colors, too.
For earth colors: http://www.gamblincolors.com/msds/earthsag.html
For ivory black: http://www.gamblincolors.com/msds/ibkag.html
For titanium white: http://www.gamblincolors.com/msds/whiteag.html
Gamblin FAQ page (more info): http://www.gamblincolors.com/faq/paint.html

I will have extra paint in case anyone encounters any problems.

 

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